Frequently Asked Questions
What’s the Reading Order of the Sartorias-deles books?
That seems a simple question, but it’s not simple to answer when one has been at it all one’s life. This is a list of all the Sartorias-deles stories in timeline order. If you don’t want to plough through that, here are groupings according to possible entry points:
“Lily and Crown”
Time of Daughters (two volumes)
Banner of the Damned
To skip the past and start with the MODERN ERA, there are three starting points (two, if you begin with the children’s stories)
CHILDREN’S STORIES, (written when I was a kid) which introduce many of the characters central to later arcs.
All these come together in Fleeing Peace.
A Stranger to Command mostly stands alone, though it’s a prequel to Crown Duel, and occurs at the same time as A Sword Named Truth.
The second starting point skips the children’s stories, and shifts to a more adult POV in the RISE OF THE ALLIANCE arc. This arc begins weeks after the end of Fleeing Peace, the first book of which reintroduces the main characters met in the children’s stories.
A Sword Named Truth
Night Side of the Sun. [Firejive and Night Side not yet out]
The third starting point would be the ROMANTIC STORIES, which mostly stand alone:
The Trouble with Kings
Sasharia En Garde
Sasharia ends right before the beginning of the next arc, the NORSUNDER WAR [written, not yet published]
The Wicked Skill
Ship Without Sails
Under Running Laughter: Three Quests
Fled Down the Days
A Chain of Braided Silver
The POSTWAR books and stories:
And Felt Along the Heart
“The Art of Masks”
Why don’t you make a movie of Crown Duel?
Nothing easier. I worked in Hollywood for years and I know exactly how to turn it into a TV serial. So, if you provide the budget, I’ll write screenplay!
Where can I be found online?
I post most often at Dreamwidth. I also post to Bookview Cafe’s blog now and then. I’m sherwood_smith at Twitter, and though early on I started a Facebook page, I stopped posting there when I found out how deeply they delve into your private information in order to sell it behind your back. I never post at it or look at it. You can write to me at sherwood-at-sherwoodsmith-dot-net.
Are there any more stories about Mel and Vidanric?
Yes: the story of Vidanric’s early training, A Stranger to Command, is available as an ebook and audio book. The two novelettes about Mel and Vidanric’s two older kids, “Court Ship” and “Beauty” are published together as an e-book in Remalna’s Children. And Vidanric and Mel will show up again in Ship Without Sails, the first of the Norsunder War arc.
Where is your biography?
I don’t like putting personal information on-line. I don’t think the details of my life are relevant to the books, but sometimes young readers are doing book reports and need to include information about authors, so here is my standard “biography”:
I taught for twenty years, and now write full time. I am married, have two kids, various rescue dogs, and a house full of books. I started making little books out of paper towels when I was six or seven, and began writing novels about another world when I was eight. I tried sending out my novels when I was thirteen. I typed them on a manual, and wow, did that take a long time, especially since I was (and am) a terrible typist. I got encouraging rejections, so when I reached college, I figured I needed to learn something about writing that I didn’t yet grasp: revision.
Learning how to revise is an on-going process for me as I am a visual writer, but while I’ve been working at that that I went to college, lived in Europe, came back to get my Masters in History, worked in Hollywood, became a teacher, some of those concurrently. I still teach at workshops, in particular Viable Paradise.
I discovered that studying history was a good thing for an author. One begins to see how cultures are shaped, how people thought, acted, ate, and lived.
Do I ever put real people in my books?
Never. I don’t think I could if I tried. That isn’t to say that familiar traits don’t show up in this or that character, derived from experience, but I don’t consciously take someone’s real life trait and stick it onto a character like a band aid. Every writer’s process is different, of course. My characters walk into my mind fully formed—they have their pasts, their families, likes and dislikes, and I can’t change them any more than I could make my kids taller or myself younger! My job is just to write their stories.